All surgical notes

Lower third and neck musculature — The modiolus, mentalis and platysma

Orbicularis oris, depressors, mentalis, buccinator, masseter and platysma: where they lie, what they do, and the doses and depths that separate a good result from an asymmetric smile.

Content intended for healthcare professionals. It does not replace clinical assessment and is not written as patient information.

Key points

  • All the perioral muscles converge on the modiolus, a fibromuscular knot lateral to the commissure where elevators and depressors pull in opposite directions from the same point.
  • Here filler comes first and toxin after: structure and support are provided first, and only then is it assessed which dynamic line remains.
  • The commonest error has a specific name: diffusion into depressor labii inferioris, leaving a very visible asymmetric smile for months.
  • Two landmarks always to palpate before injecting the jawline: the facial artery and the marginal branch, which cross superficially just anterior to the masseter.
  • In the neck the rule is superficial and low dose: injecting deep or loading the dose causes difficulty swallowing.

The muscles, one by one

MuscleFrom where to where, and in which layerWhat it does
Orbicularis orisA ring around the mouth formed largely by fibres of the muscles converging on it. Layer 3Closes and protrudes. Its superficial fibres are responsible for protrusion, and its circular fibres produce the perioral barcode lines
Depressor anguli orisFrom the oblique line of the mandible to the modiolus, triangular. Layer 1, the most superficialLowers the commissure: it produces the sullen or dissatisfied expression and the crease descending from the corner of the mouth
Depressor labii inferiorisFrom the oblique line to the lower lip, medial and deep to depressor anguli oris. Layer 2Depresses and everts the lower lip. It is what shows the lower incisors on speaking, and its palsy is the classic marginal branch sequela
MentalisFrom the mandibular incisive fossa to the chin dermis. Layer 4, the deepest, with the nerve on its superficial surfaceElevates the chin and protrudes the lower lip. Its hypertonia gives the cobblestone chin and deepens the mentolabial crease
BuccinatorFrom the alveolar processes and pterygomandibular raphe to the modiolus. Layer 4, with the nerve on its superficial surfacePresses the cheek against the teeth: oral continence, chewing and blowing. In palsy it is why food pools in the vestibule
PlatysmaFrom the pectoral and deltoid fascia to the mandible and modiolus. It is the continuation of the SMAS in the neckLowers the jaw and the commissures. Its contraction creates vertical bands and blurs the jawline
MasseterNot a mimetic muscle: it is masticatory, innervated by the trigeminal. From the zygomatic arch to the mandibular angleElevates the mandible. Its hypertrophy from bruxism widens the lower third and is a frequent toxin indication

The modiolus: where everything crosses

It is a fibromuscular knot lateral to the commissure, where elevators — zygomatics, levator anguli oris, risorius — and depressors — depressor anguli oris, platysma — converge. That is the explanation for almost everything that goes wrong here: muscles doing opposite things share one insertion point, so product placed with a margin of millimetres can block the wrong antagonist. It also explains why the commissure is so sensitive to the vector in surgery: any traction on the SMAS eventually reaches the modiolus, and if the vector is horizontal the commissure goes backwards instead of upwards.

The modiolus with the muscles converging on it, showing which elevate and which depress the commissure.
The modiolus with the muscles converging on it, showing which elevate and which depress the commissure.

How the lower third ages

The youthful lip has a visible transition line between vermilion and skin, a V-shaped Cupid’s bow, a full medial tubercle, commissures with an ascending line, and an upper-to-lower lip ratio of 1 to 1.618. With age those elements are lost in a recognisable order: the vermilion flattens, the lip lengthens and thins, the Cupid’s bow blurs, the commissures turn downward and the mucosa dries. Around it, lines perpendicular to the lip border appear from perioral volume loss, lip atrophy, repeated muscular contraction and mandibular bone resorption beneath. The causal order matters: much of what looks like a lip problem is really loss of bony support and perioral volume.

What to examine before touching the lip

  • At rest, smiling and puckering, always including lip projection on the profile view.
  • Check what remains of the landmarks: vermilion border, body, Cupid’s bow, philtrum and commissures.
  • Examine the dental arcade: occlusion and tooth inclination. A lip rests on what is behind it.
  • Look for asymmetry at rest and in animation, excessive vermilion inversion and gingival show.
  • And a sequence rule: before treating the nasolabial fold, the midface must have been assessed and treated.

Lip and perioral filler

AreaTechnique and planeVolume and caution
Lip borderEntry at the border near the commissure, needle below the mucocutaneous junction, anterograde linear thread0.1-0.2 ml per quadrant. Equal volumes on both sides unless there is gross asymmetry. Do not overcorrect: it gives excessive anterior projection of the upper lip
VermilionTwo options: linear thread in the dry submucosa with one point per quadrant, or aliquots at three points per quadrant. Needle at 30 degrees to the lip body0.5-1 ml for both lips, or 0.05 ml per bolus. Avoid the labial artery and vein in the intraoral submucosal plane, the wet part. Very bruise-prone: enter through skin and very slowly
CommissuresOne point per side, very slowly0.05-0.1 ml per side. Avoid the labial artery and vein
PhiltrumPinch the philtral column, enter at the base with the needle upward and the bevel inward, superficial subcutaneous retrograde0.05-0.1 ml per side. Preserve the inverted V of the philtrum, do not widen the columns and do not lengthen the upper lip. Avoid the columellar branches of the superior labial artery
Perioral linesNeedle perpendicular to the wrinkle, superficial subcutaneous linear, with massage after each pointUp to 0.25 ml per quadrant. Do not chase superficial lines: in many aged lips judicious volumisation improves the lines by itself

Chin and jawline filler

AreaTechnique and planeVolume and caution
Marionette linesTwo points per side. The lower one, retrograde linear superficial subcutaneous; the upper one, entering below the modiolus with a vertical column technique. Stay medial to the line0.5-1 ml per side at each of the two points. Deposit most of it in the upper third of the fold. Avoid the inferior labial and sublabial arteries
Mental creaseOne point per side, retrograde linear superficial subcutaneous, with massage afterwards0.2-0.5 ml per side. Avoid the sublabial artery and vein. Overcorrection here leaves irregularities
Chin apexTwo or three supraperiosteal boluses: one midline and two superolateral. Pinch the chin with two fingers and aspirate first0.2-0.3 ml per site. Avoid the mental artery and vein. Do not inject too low: it produces a witch’s chin. Check symmetry from the cephalic view
Prejowl areaTriangular area between the mental foramen and the midlateral mandible0.5-1 ml per side. Avoid the mental artery, vein and nerve. Take care not to displace product over the mandibular ligament: overcorrecting lateral to it worsens the jowl
Mandible body and angleBody: pinch the skin and inject superficially, retrograde linear, without going deep. Angle: one or two supraperiosteal boluses0.5-1 ml subcutaneous and 0.25 ml per bolus. The supraperiosteal angle injection is ideal in men; in women subcutaneous is preferred. Palpate and avoid the facial artery, facial vein and parotid. A zone of deep haematomas

Toxin in the lower third and neck

IndicationPoints and depthDose
Gummy smileThree points if moderate — levator labii superioris alaeque nasi and depressor septi — five if severe, adding levator labii superioris and zygomaticus minor. Needle at half depth, angled upward2 U per site. Total 6 U if moderate, 10 U if severe
Lip linesOne or two points per side on the upper, one per side on the lower. Insert only the bevel, bevel facing upward1 U per site. Total 2-4 U upper lip and 2 U lower
Depressor anguli orisOne point per side, near the jawline and more than 1 cm from the corner of the mouth, at half depth2-4 U per site, total 4-8 U
MentalisMidline point 0.5-1 cm above the lowest point of the chin and no closer than 1.5 cm to the lip. Needle at full depth, in the midline4-8 U. Two lateral points parallel to the midline may be added
MasseterThree points per side, needle perpendicular and full depth, always lateral to the anterior margin of the muscle. Mark with the patient clenching4-8 U per site, total 4-24 U. Severe hypertrophy may need 40 U or more
Platysma at the jawlineSix points per side, needle at one third depth2-4 U per site, total 12-24 U per side
Platysmal bandsFour points per lateral band and three per medial band. Pinch the band to guide the needle into the contracted muscle, at one third depth2 U per site: 8 U per lateral band and 6 U per medial band

The three errors that produce an asymmetric smile

All three share one cause: diffusion into depressor labii inferioris, which lies medial and deep to depressor anguli oris. One: injecting depressor anguli oris too medially or with too high a dose. Two: displacing the needle laterally when treating mentalis instead of staying in the midline. Three: injecting the lip too close to the mouth, which can also impair function and cause drooling. In all three the result is the same and lasts as long as the toxin. Prevention is geometric: 1 cm of margin from the commissure for depressor anguli oris, 1.5 cm from the lip for mentalis, and strict midline. And one habit: always review at two weeks, because this is the area with the highest risk of an asymmetric result.

The neck: superficial, and low dose

The complication to avoid here is not aesthetic: injecting deep or with excessive dose impairs swallowing. The rule is one third of the needle and a contained dose. Two further nuances. Start with the lateral bands and reassess at a second session whether the medial ones need treating: the medial bands are technically harder and their total dose should be lower. And select the patient carefully: reducing medial band hypertonia can leave skin laxity, so the ideal indication is a patient without skin excess in that area. In patients with a very active platysma, two sessions to titrate the dose give a better result than one loaded session.

The microdroplet technique

This is a different resource from muscular points, and it addresses what those do not: the quality and contour of the skin of the lower third and neck. It consists of depositing product in the dermis or at the junction between dermis and the superficial platysmal fibres — which insert precisely into the deep surface of the dermis — over an area beginning three fingerbreadths above the mandibular border, one fingerbreadth behind the marionette line, and extending across the whole neck anterior to the sternocleidomastoids. The described result is improvement of the cervicomental angle, elevation and flattening of the jowls, reduction of horizontal creases and vertical banding, and better skin texture. And there is a safety advantage: by distributing microdroplets in a superficial plane, the risk of dysphagia and sternocleidomastoid weakness is reduced.

Where the facial artery and marginal branch cross

Both cross superficially just anterior to the masseter, in the postjowl sulcus. It is the point to palpate before touching the jawline, and it explains two rules: in the mandibular body one does not inject deep, but pinching the skin in a superficial plane to stay above the artery; and at the angle, where the bolus is supraperiosteal, one must aspirate and expect deep haematoma. It is also worth remembering where the nerves exit: the mental through its foramen below the second lower premolar, and the infraorbital 6-8 mm below the orbital rim. Upper lip sensation depends on the infraorbital and lower lip on the mental; motor supply to both comes from the buccal branch.

Downturned commissure: three causes, three answers

Does it worsen on animation or is it the same at rest?

It clearly worsensOveractive depressor anguli oris. 2-4 U per side, near the mandible and away from the commissure.
Same at restIt is structural. Keep asking.

Is there an established marionette fold with volume loss?

YesMarionette line filler, most of the volume in the upper third of the fold and always medial to the line.
No, but the jawline has lost definitionThe problem is support, not the commissure. Treat prejowl and mandibular body, then reassess the commissure.

Order matters

  • In the lower third filler weighs more than toxin, the reverse of the upper third: structure and support first, dynamic lines after.
  • Before the nasolabial fold, the midface. Before the commissure, the jawline. Before the lip, the dental arcade.
  • Assess frontally and in profile: chin and jawline are only judged properly in profile, and the upper lip to lower lip and chin proportion should be one third to two thirds.
  • A chin-neck angle of 121 degrees is considered optimal in women, and the jawline should run smooth from angle to chin, uninterrupted by jowl or sulci.
Lower third caution zones: facial artery and marginal branch crossing anterior to the masseter, mental foramen below the second premolar, and labial arteries in the submucosa.
Lower third caution zones: facial artery and marginal branch crossing anterior to the masseter, mental foramen below the second premolar, and labial arteries in the submucosa.

Related specialty: Facial Aesthetic Surgery

Dr. Pablo Vaquero

Facial lifting, facial aesthetic surgery, complex facial reconstruction and facial paralysis treatment, in Barcelona.

Locations

  • Vall d’Hebron University Hospital

    Barcelona

  • Instituto Maxilofacial · Teknon Medical Center

    Barcelona

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This website is for informational purposes only and does not replace professional medical advice.